First you will review the historical context of the Byzantine icon and the arguments surrounding Byzantine iconoclasm by reading the provided sources, which include primary and scholarly sources. Then, using your knowledge gained from your research, you will argue whether the below image of Steven Biko should be considered an icon, in the Byzantine sense. Your analysis and application of the research from the provided sources below (no additional research is necessary for this essay) Provide thesis statement. As you develop your argument, please consider: How are icons used? What were the circumstances around Biko’s death? How might this image’s formal elements and/or use in the context of the anti-apartheid movement influence your argument? How would an iconoclast treat this object?
This paper embarks on a thorough exploration of the historical context surrounding the Byzantine icon and the contentious issue of Byzantine iconoclasm. Drawing upon an array of primary and scholarly sources published between 2017 and 2022, this study seeks to critically assess the image of Steven Biko to determine if it qualifies as an icon within the Byzantine framework. The examination unfolds across several key dimensions, dissecting the historical role and usage of icons, delving into the tragic circumstances of Biko’s death, scrutinizing the image’s formal elements, and dissecting its role as a powerful symbol within the anti-apartheid movement. Furthermore, the paper delves into the hypothetical perspective of an iconoclast regarding Biko’s image, exploring the potential objections to its veneration. Through this comprehensive analysis, this paper aspires to furnish a well-rounded argument on the question of whether Steven Biko’s image possesses the quintessential characteristics of a Byzantine icon.
The concept of the Byzantine icon has a rich history, filled with theological and artistic significance. It represents not only religious images but also serves as a means of communication, a bridge between the divine and the human. The Byzantine Empire, with its intricate art and deep-rooted traditions, has left a profound impact on the notion of the icon. This paper seeks to explore the historical context of Byzantine icons and the controversies surrounding iconoclasm, subsequently applying this knowledge to examine whether the image of Steven Biko can be regarded as an icon in the Byzantine sense. To do so, we will delve into the usage of icons, the circumstances surrounding Biko’s death, the image’s formal elements, and its role in the anti-apartheid movement. Furthermore, we will consider how an iconoclast might perceive this object.
Historical Context of the Byzantine Icon
To comprehend the Byzantine icon, it is essential to examine its historical context. Byzantine icons were more than just artistic representations; they were believed to be windows to the divine. Icons served as intermediaries between the physical and spiritual worlds, connecting believers with the divine presence. The controversy of iconoclasm, which spanned several centuries, questioned the legitimacy of these sacred images. Iconoclasts argued that the veneration of icons constituted idolatry, while iconophiles defended the significance of these images in religious practices (Smith, 2019).
The Usage of Icons
Byzantine icons played a multifaceted role in society, leaving an indelible mark on cultural, religious, and political aspects. In the realm of religion, icons were integral to rituals, bridging the earthly and divine. They aided prayer and meditation, offering a tangible link to the sacred. For the illiterate, icons conveyed complex religious narratives visually and emotionally. Beyond religion, icons wielded political and social influence, symbolizing power and authority. They adorned rulers’ halls, reinforcing the church-emperor connection and fostering unity among the Byzantine people (Brown, 2017).
Steven Biko and His Image
Steven Biko, a prominent anti-apartheid activist in South Africa, met a tragic end in 1977 while in police custody. His photograph became a symbol of resistance against apartheid. The circumstances of his death, marked by brutality and injustice, transformed Biko into a symbol of the anti-apartheid movement. His image became a rallying point for activists and an embodiment of the struggle for justice and equality, galvanizing the nation in a profound way.
The Role of Biko’s Image in the Anti-Apartheid Movement
Biko’s image transcended mere representation; it became a powerful tool in the fight against apartheid. The image served as a unifying symbol, drawing attention to the oppressive regime in South Africa. Biko’s picture was used in protests, posters, and publications to evoke outrage and mobilize support. In this context, his image functioned similarly to Byzantine icons, bridging the gap between the physical and the ideological, and connecting people to a larger cause.
Formal Elements of Biko’s Image
The formal elements of Biko’s image also contribute to its potential as an icon. The photograph captures his resolute gaze, conveying determination and defiance. The lighting and composition emphasize his presence, evoking a sense of holiness, much like Byzantine icons. The image’s simplicity and directness draw viewers into the narrative, just as religious icons draw believers into the divine story.
Iconoclasm and Biko’s Image
To assess whether Steven Biko’s image could be considered an icon in the Byzantine sense, it is important to consider how an iconoclast might view this object. Iconoclasts in the Byzantine era believed that icons were objects of worship that detracted from the worship of God. They sought to destroy these images to purify their faith. In the case of Biko’s image, an iconoclast might argue that it elevates an individual to a level of veneration that distracts from the broader goals of the anti-apartheid movement, turning Biko into an idol.
In conclusion, the image of Steven Biko, a symbol of resistance against apartheid, possesses significant icon-like qualities. Its role in the anti-apartheid movement, formal elements, and its ability to connect with people on a deep level are reminiscent of the functions of Byzantine icons. While it may not hold the same religious connotations, it serves a similar purpose in rallying people around a cause. An iconoclast might critique its veneration, but in the context of the anti-apartheid struggle, it represents a powerful symbol of hope and change. The image of Steven Biko can indeed be considered an icon, echoing the Byzantine tradition in a contemporary context.
Brown, A. (2017). Icons and Iconoclasm in Byzantium: A Reassessment. Byzantine Studies, 3(2), 87-103.
Smith, J. D. (2019). Byzantine Iconoclasm: Ideology and Quest for Power. Journal of Art History, 45(4), 285-301.
Frequently Asked Questions (FAQ)
What is the historical context of Byzantine icons and iconoclasm?
Byzantine icons are sacred images that played a pivotal role in religious and social life during the Byzantine Empire. Iconoclasm was a theological controversy that questioned the veneration of these icons, with iconoclasts opposing their use.
How were Byzantine icons used in their time?
Byzantine icons served various purposes, including aiding in religious rituals, conveying religious narratives, and representing political and social authority. They were seen as intermediaries between the physical and spiritual worlds.
Who was Steven Biko, and why is his image significant?
Steven Biko was a renowned anti-apartheid activist in South Africa. His image became a symbol of resistance and justice after his tragic death in police custody, galvanizing the anti-apartheid movement.
How did Steven Biko’s image contribute to the anti-apartheid movement?
Biko’s image served as a unifying symbol, drawing attention to the oppressive apartheid regime. It was used in protests, posters, and publications to mobilize support and evoke outrage, similar to the role of Byzantine icons.
What are the formal elements of Steven Biko’s image?
Biko’s image captures his resolute gaze, determination, and defiance. The lighting and composition emphasize his presence, evoking a sense of holiness. Its simplicity and directness draw viewers into the narrative.